White Noise
Constant power across all frequencies. Ideal for masking distracting speech.
Steady rainfall, looped seamlessly — the most reliable soundscape there is.
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Calibrated frequencies for deep work and relaxation.
Continuous frequencies for auditory masking.
Constant power across all frequencies. Ideal for masking distracting speech.
Deep, bass-heavy rumble reminiscent of a distant waterfall or thunder.
Balanced spectrum that sounds more natural to the human ear, like steady rain.
Even deeper than Brown noise, focusing heavily on the low-end spectrum.
Near-silence with subtle low-frequency drift. Meditative, like the sound of a quiet room at night.
Psychoacoustically equalized to sound equally loud at every frequency.
Natural soundscapes recorded in high fidelity.
Gentle rainfall creating a natural, soothing atmosphere perfect for deep concentration.
Rainfall on a tent canvas — cozy, immersive and deeply relaxing for focused work.
Rhythmic ocean waves rolling onto shore — a timeless natural soundscape for calm focus.
Steady breeze flowing through open spaces — airy and expansive for clear thinking.
A gentle brook flowing through a quiet forest — peaceful and grounding for deep work.
Birds and insects in a sunlit meadow — warm, organic ambience for relaxed focus.
Brainwave entrainment through stereo frequency offset. Layers with any noise above.
Deep sleep and healing. Ultra-low 2 Hz beat for total relaxation.
Meditation and creativity. 6 Hz beat for deep introspection and flow.
Calm focus and learning. 10 Hz beat for relaxed concentration.
Active thinking and energy. 14 Hz beat for alertness and problem solving.
Rain is close to natural pink noise. Thousands of small impacts, each at a slightly different moment and intensity, sum into a broad and fairly even spectrum with the sharp edges rounded off. Nothing in it is periodic enough for your brain to lock on to, which is exactly what you want from a background: coverage without a pattern.
There is a second reason it works, and it is not acoustic. Rain is a safety signal. Steady weather meant the environment was stable and predictable; it also meant nothing else could be heard moving. Most people arrive at a rain recording with that association already in place, and the sound does part of its work before the masking even starts.
Looped recordings usually give themselves away. There is a click, a gap, or a phrase you start to recognise on the third pass, and once you have heard it you cannot stop hearing it.
FocusNoise decodes the recording, trims the silent padding that MP3 encoding leaves at both ends, and plays two offset copies at once, so that when one reaches its loop point the other is mid-stream and covers the join. The result holds up for hours of continuous playback.
Rain sits comfortably under almost anything. Layer it over brown noise for a fuller, weightier background, or add a binaural track underneath at low volume. Each layer keeps its own volume slider, so you can set the balance rather than accepting a fixed mix.
It should not. Two offset copies play simultaneously so that each one’s loop point is covered by the other mid-stream, and the encoder padding is trimmed before playback. If you do notice a repeat, tell us which sound and we will re-cut it.
Yes. Colour noise, one ambient recording and one binaural preset can all run at once, each with an independent volume slider. Rain over brown noise is one of the most popular combinations here.
Browsers suspend audio when a tab loses focus on most mobile devices. Installing FocusNoise as an app from the browser prompt improves this, but for all-night unattended playback a dedicated offline player is more reliable.