White Noise
Constant power across all frequencies. Ideal for masking distracting speech.
A countdown and a background, in one tab. Pick a length and start.
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Calibrated frequencies for deep work and relaxation.
Continuous frequencies for auditory masking.
Constant power across all frequencies. Ideal for masking distracting speech.
Deep, bass-heavy rumble reminiscent of a distant waterfall or thunder.
Balanced spectrum that sounds more natural to the human ear, like steady rain.
Even deeper than Brown noise, focusing heavily on the low-end spectrum.
Near-silence with subtle low-frequency drift. Meditative, like the sound of a quiet room at night.
Psychoacoustically equalized to sound equally loud at every frequency.
Natural soundscapes recorded in high fidelity.
Gentle rainfall creating a natural, soothing atmosphere perfect for deep concentration.
Rainfall on a tent canvas — cozy, immersive and deeply relaxing for focused work.
Rhythmic ocean waves rolling onto shore — a timeless natural soundscape for calm focus.
Steady breeze flowing through open spaces — airy and expansive for clear thinking.
A gentle brook flowing through a quiet forest — peaceful and grounding for deep work.
Birds and insects in a sunlit meadow — warm, organic ambience for relaxed focus.
Brainwave entrainment through stereo frequency offset. Layers with any noise above.
Deep sleep and healing. Ultra-low 2 Hz beat for total relaxation.
Meditation and creativity. 6 Hz beat for deep introspection and flow.
Calm focus and learning. 10 Hz beat for relaxed concentration.
Active thinking and energy. 14 Hz beat for alertness and problem solving.
A running timer does something an intention cannot: it removes the question. Without one, every few minutes carries a small decision about whether to keep going, and each of those decisions is an opening. With one, the decision was made once, at the start, and the only thing left is to work until it ends.
It also changes how the end of a session feels. Stopping because a timer finished is clean. Stopping because you ran out of will is not, and it makes the next session harder to begin.
There is no correct block length, only one that fits the task and the day. The useful question is how long the work takes to load into your head — the longer that is, the longer the block should be.
The audio is doing two jobs. The obvious one is masking: raising the noise floor so that a conversation or a door does not arrive as an event. The less obvious one is association — after a week of the same background, starting it becomes a cue that work is beginning, and that cue is worth more than the masking.
Pick one setup and keep it. Brown noise is the most-used background here, white noise is stronger against voices, and rain suits people who find synthetic noise sterile. All three can be layered, each with its own volume.
If you want breaks handled for you rather than resetting the timer by hand, the Pomodoro timer runs the full cycle and switches the sound at each phase.
It depends on how long the work takes to get into. Twenty-five minutes suits a list of contained tasks; forty-five to fifty suits anything with a real ramp-up. If you are struggling to start at all, ten minutes is the more useful number.
No. The countdown and the audio are independent — start the timer and leave the library alone if you want silence.
Yes by default. You can turn that off under Settings if you would rather the sound continue past zero.