White Noise
Constant power across all frequencies. Ideal for masking distracting speech.
Near-silence with a slow drift underneath — presence without sound.
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Calibrated frequencies for deep work and relaxation.
Continuous frequencies for auditory masking.
Constant power across all frequencies. Ideal for masking distracting speech.
Deep, bass-heavy rumble reminiscent of a distant waterfall or thunder.
Balanced spectrum that sounds more natural to the human ear, like steady rain.
Even deeper than Brown noise, focusing heavily on the low-end spectrum.
Near-silence with subtle low-frequency drift. Meditative, like the sound of a quiet room at night.
Psychoacoustically equalized to sound equally loud at every frequency.
Natural soundscapes recorded in high fidelity.
Gentle rainfall creating a natural, soothing atmosphere perfect for deep concentration.
Rainfall on a tent canvas — cozy, immersive and deeply relaxing for focused work.
Rhythmic ocean waves rolling onto shore — a timeless natural soundscape for calm focus.
Steady breeze flowing through open spaces — airy and expansive for clear thinking.
A gentle brook flowing through a quiet forest — peaceful and grounding for deep work.
Birds and insects in a sunlit meadow — warm, organic ambience for relaxed focus.
Brainwave entrainment through stereo frequency offset. Layers with any noise above.
Deep sleep and healing. Ultra-low 2 Hz beat for total relaxation.
Meditation and creativity. 6 Hz beat for deep introspection and flow.
Calm focus and learning. 10 Hz beat for relaxed concentration.
Active thinking and energy. 14 Hz beat for alertness and problem solving.
Black noise is the odd one out. Where the other colours describe how energy is spread across the spectrum, black noise describes its near-absence: a signal that is silent across almost the whole audible range, with only slow movement at the very bottom. Some definitions allow narrow spikes in an otherwise flat-zero spectrum; others treat it simply as engineered silence.
What you hear on FocusNoise is a very slow random drift, generated the same way as brown and red noise but with the smoothing pushed far enough that pitch effectively disappears. It is less a sound than a change in how the room feels.
Total silence is not neutral. In a quiet room every small event — a door, a floorboard, your own swallowing — arrives with nothing to soften it, and for a lot of people that is more distracting than a steady background. Black noise gives you the smallest possible floor: enough to take the edge off sudden sounds, not enough to be something you are listening to.
Black noise is the default sound behind the Pomodoro focus phase on this site, and it pairs particularly well with the binaural presets. Because it adds almost nothing in the audible range, a binaural track layered on top stays clearly perceptible at low volume, which is how binaural beats are meant to be used.
If black noise turns out to be too little, red noise is the next step up and brown noise the step after that.
Yes — a slow low-frequency drift. It is intentionally close to the edge of audibility. If you hear absolutely nothing on headphones at a normal volume, raise the level a little; if it still reads as silence, that is roughly the intended effect.
Quiet rooms that feel too exposed, meditation, and as a base layer under binaural beats. It takes the edge off sudden sounds without giving your attention anything to grab.
You can, though most people prefer pink noise or rain for sleep because a fuller sound covers more of what happens outside the room. Use the Timer if you want playback to stop automatically after a set period.